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On
this page you will find photo dating by:
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Photo
Dating Introduction:
History
of Photographic Methods
Daguerreotype
Ambrotype
Ferrotype/Tintype
Albumen
Samples of Case
Images
Table
of Standard Daguerreotype Sizes
Comparison
Table of Case Images
1864
Luxury Tax
Samples of Albumen
or Cabinet Cards
Albumen
Comparison
Table
General
Photographic
Methods Table
Specific
Tintype
Plate Size Table
Credits/Resources/Related
links
Postcards
Resource
Links for Post Card Dating
Photo
Dating Books
Union
Cases
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Photo Dating Introduction
There are many avenues to
explore in photo dating. When determining when a photo was taken, you have to
consider more than the obvious, such as clothes worn, the background, objects in
the background and the history of the photo (how did you acquire it). The
substance a photograph is made of, is another subject to learn. The photo
could be mounted on stiff or thin decorated cardboard, paper, copper or
glass. Any writing on the photo could lead you to a date, like the name of
the photographer. This would lead you on a search for a list
business records of photographers
from that time period. Start a log of your findings, stay organized and
persevere.
If you can not find what
your looking for at this site then, you may want to start with a
visit to your local library. They may have or can direct you to, locations that
have microfiche of old newspapers to study. You can study photographs of known dates of historic events and eventually develop an eye
for details, while noting the dates. Here on our Genealogist
Corner you can see a collection of photos from the 1800's. To identify
the date of your specific photograph effectively, you may need to study the history of the items in the photograph. The history of fashions, methods
of photography, customs of different eras, the history of
photography, and even the
history of wallpaper. Do not let this sound too intimidating, chances
are most photographs have few clues to research . The #1, the
photographic method, #2, the clothes they are wearing and #3, the photographer's
stamp, if there is one present.
Understanding how
historical events effect society and it's fashions is major in researching the date of a
photograph. Specifically one that you may have inherited a copy of
an ancestor's photograph and the physical attributes are not available,
you only have the clothes to go on or just the hairdo. The Civil War changed fashion from extravagant to more
conservative. The
Victorian era was the life span of Queen Victoria of England from 1837 to
1901, which influenced fashion and mourning customs after the death of
Prince Albert in 1861. The rise of
the economy allowed the common man to afford more elaborate clothing. The
invention of the sewing machine enabled factories to produce mass
qualities of clothing. The Victorian period was the true influence of the
modern men's fashions, while the women's fashions changed considerably with the
rise in feminism in the 20th century. The jewelry fashions throughout that era
were influenced by the queen and by new technologies. It became unpopular to wear jewelry during the day, when Victoria's
consort, Prince Albert past away.
We see so many of our clients photos that have known dates, that we
have developed a sense for the time period by exposure. We are attempting
to guide our clients in their efforts to estimate the dates of their
photos. Any information on this subject at this site is found on the World Wide
Web by extensive researching. We make every attempt to give credits where it's
due by links to resources. As we
learn more, we add on to this section of our site (always a work in progress). Photos Made Perfect
is not an expert on "photo
dating". Often in our research, we found conflicting information and
we did our best to figure out which was correct. If you can
contribute to this work please email us.
Happy researching.
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History
of Photography Methods
Identifying
Cased Image Types
Many
vintage photographs are incased in a little box made from a variety of
materials. Earlier than 1850s they protected little painted
portraits and after the invention of the daguerreotype they housed
photographs. Assembled in a factory, they were usually constructed
of wood frames, sometimes metal, covered in
embossed leather, tortoise or velvet. When opened, it had either two
photographs on each side or one photograph and
on the back side of the door a velvet or felt pad in the door and a
small latch.
Union
Cases- In
the 1850s thermosplastic a product made from shellac and ground sawdust
came into use, because they could be decorated and dyed easier. This
plastic was called Composition or Union and so the cases became known as
union cases and are
collected by some for their beauty alone with or without the image. The
photo was first, the a glass next, then a frame made of brass.
Daguerreotype
Method
Long
before the first public announcements of photographic processes in 1839,
Joseph Nicephore Niepce, began experimenting with photography. To read
more about The World's
First Photograph go to the original text. While there were many
different types of photography, the three methods of
photography are discussed here. The Daguerreotype,
Ambrotype,
and Tintype,
were each used in the 19th century and were each stored in
folding wooden case to protect the image from oxidation and handling.
Each type produced one of a kind picture negatives and were
monochromatic. Out of their cases daguerreotypes are easily damaged. The
case and the glass for the Tintypes was used just to give the appearance
of the more expensive daguerreotype. They sold for 25 cents. To view
a table of the three methods differences, click
here.
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Daguerre’s
process, 1839 -1854, involved treating a thin sheet of
highly polished silver-plated copper with mercury vapor
and bromides and crystals of iodine to make the silver plating
sensitive to light giving it a reflective appearance.
Appropriately called “mirror with a memory”. The silver is
the component that tarnishes and corrodes. Daguerre first
published a description of his process in 1839. Like the
hologram the daguerreotype image is only visible from certain
angles. No other
photographic image has the mirror-like non-image areas or
hologram-like image of the daguerreotype.
Hallmark
-- Stamp marks on the daguerreotype plate which identify the
plate manufacturer or photographic supply house. Hallmarks
usually consist of symbols, initials, and/or numbers. The number
indicates the ratio of silver to copper. The most popular number
was 40, indicating 1 part silver to 39 parts copper. Lists of
hallmarks used by plate manufacturers and the approximate years
that they were produced can be used to date images. These lists
may be found in reference books, such as Rinhart's The American
Daguerreotype and books by Paul K.Berg.
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Other
inventors soon improved the process, by 1841 for example, the
exposure time for the photographs had been reduced to less than
a minute, developed
in natural light in an artist studio. The copper sheet was placed
inside a camera and exposed to light through the camera lens for
5 to 40 minutes. This may be one reason why the subjects in
this era were not smiling, it is difficult to hold a smile or
keep from swaying for 40 minutes. The difference in
exposure time varied with the time of day or overcast days.
After the sheet was removed from the camera, it as developed by
vapors from heated mercury.
The mercury combined with the silver at the points where
it had been affected by light, and formed a highly detailed
image. The image
was then made permanent by treating the sheet with sodium
thiosulfate. His patent expired in 1853 and the market was
flooded with daguerreotypist open for business. Below
is a photo of the daguerreotype camera. Left photo, is the
lens view. Right photo, is where the plate is inserted.
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Standard
daguerreotype sizes
In
gathering information about your photo in efforts to date it,
knowing the standard size of daguerreotypes may be helpful.
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Plate
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Size
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Whole
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6.5 x
8.5
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Half
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4.25 x
5.5
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Quarter
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3.25 x
4.25
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Sixth
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2.75 x
3.25
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Ninth
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2 x
2.25
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Sixteenth
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1 3/8
x 1 5/8
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Folke Brahme, the owner of
this photo graciously gave us this information about the
man in
this photo. His name is Carl Alfred Nystrom of Swedish decent
and was born in 1831 and died 1891. Born in poverty, he became a
self-taught electrical engineer, joined the fledgling Swedish
telegraph system in the 1850's, made important inventions. He
worked his way up to Director General of the entire system.
Among his numerous activities, one worth mentioning is that he
was an active participant in the International Committee on
Electrical Units and Standards in Paris in the 1880's, that
defined electrical units like volts, ampere, ohms and watts,
units that still stand today.
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Samples
of Case Images
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Not all daguerreotypes were in union cases, as
you see here.
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You may have
seen in some old books, when the opposite side of a page has the
impression of the photo on it? That's what this image was,
a direct scan of just one side of the glass that was on top of
the photo, the photograph itself was missing.
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Ambrotype
The Ambrotype
method appeared in 1852-1865, the end of the Civil War. A negative image was produced on a glass
plate and viewed as a positive with a black varnished
backing. It may show a slight shadow or three dimensional
appearance. Ambrotype
is made by coating a plate of glass with collodion, a highly
flammable, colorless or yellowish syrupy solution of pyroxylin,
ether, and alcohol, used as an adhesive for making photographic
plates. It was common for the Ambrotype to be colored such
as cheeks, lips, buttons, and jewelry. To view a
table of the differences, click
here.
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1865
Case Image samples
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Photo Dating Notes: bonnet, hoop skirt to floor, hair parted down the
middle covering ears, chair for support, the case. The leather cases may
sport patriotic symbols during the civil war period.
Circa: 1865
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Can you see the air pockets sandwiched between the glass?
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Ferrotype
/Tintype
Method
The Tintype was
originally called Melainotype and later a process called
Ferrotype was developed and they all appeared to be alike and became
known as Tintypes. These methods were America's first
major contribution to the art of photography. It superceded the Ambrotype
by the end of the Civil War and went on to become
19th-Century America's favorite quick picture. It was made the
same way as the Ambrotype, except that a thin piece of black
enameled, or japanned, iron was used in place of glass. Like the
Ambrotype, the image is reversed. Ferrotypes were
made from thumbnail size to as large as 11" x 14".
With the introduction of multi-lense cameras with sliding backs
in the early 1860's, the more typical small sizes were made in
volume. These small tintypes became know as Gem Types. A
cut-out would be made in a carte de visite and applied to the
backs of cart-de-viste size cards with glued paper holding it in
place. Made on a metal plate and with a
varnished surface, ferrotypes were very durable.
Tintypes
1856-1863 The invention of Prof. Hamilton Smith of Ohio.
They were made of a thin iron plate
(not tin).017inches thick,
coated with black paint. If it is removed from the case you can
test it with a magnet, if it attracts it, you have a Tintype.
The tintypes of the Civil War Period 1861-1865 are easily
identified by the weight and size, 1/6 and 1/4 plate. By
eliminating the cases they became less expensive so that
soldiers could send photos home, they never did need to be in
the cases. They could also be dated by Potter's Patent
paper frames. The
tin is much lighter than the glass Ambrotype.
Both the Ambrotype and the Tintype share the same whitish-gray
low-contrast collodion image consequently Tintypes are often
sold as the pricier Ambrotype to people that are not aware of
the difference. They were also embellished with patriotic
designs. Tintypes did not require glass for protection.
In
1870-1885 the Phoenix Plate Co. made plates with a Chocolate-tinted
surface that became popular. During this period, Tintypes
also appeared to be more casual, with portrait
backgrounds/backdrops of painted beaches and outdoor scenery in
contrast to formal photography studios.
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Repairs To Original
Photographs
Those of you searching for someone who knows how to restore
or even just clean the original cased image, you need to contact
a Conservator. . The
AIC Guidelines for Selecting a Conservator, will help you
make an informed choice. They provide a free list of
conservators in your geographic region.
Restoration or preservation of the original may cost up to
$1,500. The next best thing is what we offer. We
scan the cased image and restore the image digitally. Now
you would have the ability to make multiple copies and store to
CD for the future. If you don't care for CD's another option is
to take a photograph with a camera that uses film and create a
negative for storage. This process would run from $80 -
$150. dependant on specific circumstances.
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View
a table of the three method differences.
Circa 1861- 1865 Civil War
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Gem
Tintype
A company called Taylor's
American Gem Studio produced tiny
portraits from 1863-1890 the were cut to put into jewelry items,
lockets, tie clips, cufflinks and rings. They were popular because they were
so inexpensive.
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Carnival
Period Tintypes,
1875 -1930
The Carnival Period
produced
novelty props, comic portraits taken at fairs and carnivals.
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Type/Size: Tintype
Photographer:
none
Photo Dating Notes:
Circa:1880s
carnival period.
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Photo Dating Notes: Fedora hat, car, 4hand tie, outdoor scene
backdrop
Circa: 1900 carnival period
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Tintype
Plate Size Table
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Full-plate
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6˝"
x 8˝"
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Half-plate
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4˝"
x 5˝" (See NOTE below)
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1/4
plate
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3
1/8" x 4 1/8"(See NOTE below)
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1/6
plate
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2
˝" x 3 ˝"
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1/9
plate
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2"
x 2 ˝"
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1/16
plate
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1
5/8" x 2 1/8"
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Gem
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˝"
x 1"
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Tintype Identifying
Timeline Chart
| 1855 |
1860 |
1865 |
1870 |
1875 |
1880 |
1885 |
1890 |
1895 |
1900 |
1930 |
| 1856-1862
Introduction |
1861-1865
plate size
1/6&1/4 and patriot symbols
and Cartouche
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1870-1885
Chocolate |
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1864-1866
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| 1850
-1870 Union Cases
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1863-1890
Gem Tintypes 3/4 - 1 inch |
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1875-1930
Carnival |
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Comparison
Table
of Cased
Images
1839-
Late1990s
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Daguerreotype |
Ambrotype |
Tintype |
| Inventor |
Louis
Jacques Mande Daguerre |
James
Ambrose Cutting |
Hamilton
Smith & Peter Neff' |
| Date
Developed |
Perfected
Process published in 1839 |
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Neff's
Melainotype Patent Feb 1856 |
| Date
Popular |
1840-1850
Patent expired in 1853 |
Appeared
in 1852-1865 |
1856-1860
Chocolate tint surface in 1870-1885 |
| Case |
Has
Case |
Has
a Case |
May
be in a case & paper frames |
| Protective
Glass |
Protective
Glass |
Protective
Glass |
If
in case may have protective glass |
| Plate
Description |
Tin
sheet of highly polished silver-plated copper |
Plate
of Glass |
Heavy
metal iron (not tin) .017 inches |
| Photo
Description |
Reflective
appearance, "mirror with a memory" |
Flay
gray |
Flat
gray |
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Photography
Style |
Formal |
Common
to see cheeks, lips, buttons, and jewelry painted with gilt. |
Common to
see cheeks, lips, buttons, and jewelry painted with gilt. Casual, backgrounds 1870
- 1885
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Revenue Stamp,
1864
Luxury Tax
By
Act of Congress in August 1,1864 to August 1,1866, a tax was levied on the
sale of luxury items to support the war for the Union. Sellers of
"photographs, Ambrotype, daguerreotypes, carte de visite or any sun
pictures" affix stamps to the backs of photographs at the time of sale,
exempting photographs too small for the stamp. The denomination of the stamp
was proportionate to the cost of the photograph, according to the following
schedule (one cent stamps were used only when the appropriate denomination
was unavailable):
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Price
of Photo
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Tax 1864-1866 |
Stamp
Color |
| Less
than.25 |
.2 |
Blue/Orange |
| ..25
to .50 |
.3 |
Green |
| .50
to $1. |
.5 |
Red |
| Greater
than $1. |
.5 |
Red |
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The
seller (photographer) would cancel the stamp by initializing and
dating it. It was common to simply canceled with a quick stroke of the pen.
Stamps properly canceled are valuable because the image can be precisely dated
and the photographer accurately attributed. Other kinds of stamps were
used besides the regular Internal Revenue Stamp. Stamps specifically for
photographs were never produced, it was left up to the photographer to use a
stamp of the proper denomination.
During the summer of 1866, "playing card" stamps were used to make up
for a shortage of official stamps as the levy came to an end. Even playing cards
were taxed as a luxury. These unusual stamps date specifically to the last few
months of the summer of 1866. Blue playing card stamps issued in the
summer of 1866 are the most common. Rarely found are the one cent red playing
card stamps, and more frequently seen is the orange two cent playing card stamp.
Tax stamps were never required on all photographs sent through the mail. The
stamps have nothing to do with mailing the image. If the photographs were
sent through the mail they still needed to be placed in an envelope with a
postage stamp on it. While this might only be a footnote for the photography
historian, it's an important point for the genealogist.
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From,
the "Colonial Dames" of San Diego.
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Backside
enlarged
U.S.
Intern.Rev.
This
photo cost less than 25 cents.
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Financing the Civil
War
The Office of Internal Revenue and the Use of Revenue Stamps
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Date: Mon, 22 Sep 1997 16:02:39 -0400
To: photogen@genealogy.org
From: Steve Knoblock
Subject: 1864 Luxury Tax
I thought I'd post information on the 1864 Luxury Tax, which can help to
date photographs from the 1860s.
By Act of Congress in 1864, a tax was levied on the sale of luxury items to
raise wartime revenue for the Union. The act provided that sellers of
"photographs, ambrotypes, daguerreotypes, or any sun pictures" affix stamps
to the back of such photographs at the time of sale, exempting photographs
too small for the stamp. The denomination of the stamp was proportionate to
the cost of the photograph, according to the following schedule (one cent
stamps were used only when the appropriate denomination was unavailable):
Luxury Tax Schedule for Photographs
Photograph Sale Required Denomination
Less than $0.25 2 cents stamp (blue or orange)
$0.25 to $0.50 3 cents stamp (green)
$0.50 to $1.00 5 cents stamp (red)
Greater than $1.00 5 cents stamp, each additional dollar or
fraction thereof
Tax stamps, required during the period 1 August 1864 to 1 August 1866, were
applied to tintypes and ambrotypes as well as the ubiquitous carte de
visite. Any photographs bearing tax stamps were produced during this
period. The act required that the seller cancel the stamp by initializing
and dating it, providing a valuable source of information. By law, the
selling establishment was required to cancel the stamp with the
photographer’s initials and the date, but most photographers simply
canceled with a quick stroke of the pen. Stamps properly canceled are
valuable because the image can be precisely dated and the photographer
accurately attributed.
Other kinds of stamps were used besides the regular Internal Revenue Stamp.
Stamps specifically for photographs were never produced; it was left up to
the photographer to use a stamp of the proper denomination.
During the summer of 1866, "playing card" stamps were used to make up for a
shortage of official stamps as the levy came to an end. Even playing cards
were taxed as a luxury. These unusual stamps date specifically to the last
few months of the summer of 1866. Blue playing card stamps issued in the
summer of 1866 are the most common. Very rare, are the one cent red playing
card stamps. More frequently seen is the orange two cent playing card stamp.
Tax stamps were never required on all photographs sent through the mail as
some authors contend. The stamps have nothing to do with mailing the image,
as a reading of the act will tell. If the photographs were sent through the
mail they still needed to be in an envelope with a postage stamp on it.
While this might only be a footnote for the photography historian, it's an
important point for the genealogist.
Perhaps subscribers have some photographs bearing Tax Stamps. I'd be
interested in hearing what types (Ambrotypes, cartes de visite) of
photograph and what kind of stamp. If the photograph is dated, even better.
Thank you,
Steve
Steve Knoblock, editor,
info@city-gallery.com
If
you would like to go to the link, where this paper is found this is it.
Financing the Civil War- The Office of Internal Revenue and the Use of Revenue Stamps
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Calotype
(1845-1855)
The
first process to put photographs on paper by William Talbot. It's
highly unlikely you have one of these they have deteriorated to a pale
yellow from not rinsing the chemical off enough.
Albumen
Process 1859 - early 1900s
The
albumen process was on very thin paper and mounted on cardboard, books and
other items. Mounts come in many colors with text and many sizes and
designs. You can identify them by their deterioration. If kept under poor
conditions they fade and become yellow, with foxing (brown spots).
Under good conditions they would be gray, not sepia toned and their surface
were generally glossy. Egg whites were used in
the Albumen paper process which creates the shinny surface. Holding the photograph at eye level and slightly on an angle, you
will see the shine of the egg white wash. Basically any Carte de Visite or
Cabinet card is an Albumen Process.
If
you need more details, read the following for the
full account of this process:
Journal
Vol. 1856 by Mr. James Ross found in Cyndi's
List,
a site for genealogist dedicated to every aspect of genealogy related links.
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Card
de Visite 1854
- 1860
The Carte de visite was invented in 1854 by
Andre Disderi in 1854 and were
introduced in 1859. They were produced in the millions in the later part of the
19th Century they are not
particularly rare today, but are collectable. They were portraits
measuring 2 1/4" x 3/4" (5.5cm x 9.5cm), mounted on 2.5 x
4" card. About the size of a business card. It was an
paper albumen photo mounted on cardboard. They are matted or glossy
and usually in sharp focus and when viewed with a magnifying lens they
appear grainy like you would see in a modern photographs. They were popular until
1866 when the cabinet
card became the latest and greatest. The Victorians
were avid collectors of photographs. The trend was called cartomainia. Every home was decorated
with carte de visite.
Visit our Victorian Photo Albums for individual photo dating comments;
this will give you a better understanding of changes
through the decades of carte de visits or Viste
Sundow Muesum.
To read more about Andre Disderi, type in his name, inventor and 1854.
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Photo dating
details in Victorian Album #01 image #25.
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Cabinet Cards Cabinet
Cards 1866-1906 can be dated by the color of the card, borders, corners and
size. They stopped making them after 1906. Most popular card sizes were 6 1/2 x 4
1/2. The photography itself is from an albumen process. One
warning when you apply this table to the card you are dating....the
photograph on the card maybe a copy of a daguerreotype, for instance. Colors-Corners
and Borders Timeline Table
| 1866 |
1870 |
1880 |
1885 |
1890 |
1896 |
| White
light-weight cardstock 1866-80 |
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Wide
gold borders 1884-85 |
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Impressed
outer border without color. |
| Red&gold
single&double lines around border 1866-80 |
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Gold
beveled edges border 1885-92 |
Dark
cardstock, green,maroon, with gold writing 1890 |
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| Square
photo corners 1866-70 |
Front
matte finish, backs glossy yellow cardstock 1882-88 |
Metallic
green or gold impressed border on card 1890-1892 |
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Front
and back different colors of cardstock 1880-90 |
Rounded
corner rule, single line around border 1889-96 |
| Mourning
of Prince Albert, from his death in 1861 through to the death of
Queen Victoria, black cardstock with Gold writing. |
See samples
in our Genealogy Corner, Vintage Scrapbooks.
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Stereo
Viewer When
you come across a photo that appears to be two identical photos side by
side, you are looking at photos made to view through a entertainment system
called a Stereo Viewer. Stereo viewer was invented in
1849. They can be found at antique shows and sell for about $150., plus
the cost of cards to view. There is where you could spend your
fortune. The subjects appear to be three dimensional, very amusing.
Variations of these systems are still in use today.
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1880s
Gold
wide band and rounded corners.
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Name and address of
photographer and his message
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You may want to research the photographer business records to find out
the date of the photograph. You should find a list
of addresses they occupied in the course of their business
life.
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Photo Dating Note: Cabinet card circa 1866-1880,
black card popular in the mourning period
for Prince Albert. Single gold line around edge, collar covers neck with lace and a brooch.
Photographer's information present.
Visit our Victorian albums
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Photo
Dating Note:
Cabinet Card,
circa 1880-1890
mutton sleeves, square corners, gold scalloped edge.
Photographer present with full ornate business stamp on back.
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The official term for the act of studying and collecting postcards is deltiology.
Photos
Made Perfect has done the work for you of sifting through the tons
of information found about postcards. Wow! There are sites
devoted to postcards collectors, describing conditions and glossary
of terms for buying and selling. Serious historical postcard
site, explaining the origin details like "Most Postcards were
printed in Germany, the world leader in lithographic
processes." Sentimental sites about postcards and
memories attached to them. However, for our (genealogist)
purposes all we want to know is what features tell us what date
range were they taken in. To help us identify an individual
in them. Besides the photograph itself, postcards offer clues
to their dates by categorizing the backsides.
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Photo
dating features and samples of postcards:
Pre-Postcard
Era, 1840 - 1869
Prior to postcards came the lithograph print,
woodcuts and broadsides. The direct ancestor seems to be the envelopes
with pictures on them. These first envelopes were produced by D. William
Mulready, E.R.W. Hume, Dickey Doyle, and James Valentine. The envelopes
were often printed with pictures of comics, Valentines and music.
Thousands of patriotic pictures appeared on U.S. envelopes during the
Civil War period of 1861-1865, these are now known as Patriotic Covers.
The first postal type card in this country was a privately printed card
copyrighted in 1861 by J.P. Carlton. This copyright was later transferred
to H.L. Lipman. The "Lipman Postal Cards", as we now call them,
were on sale until replaced in 1873 by the U.S. Government Postals.
Pioneer
(1893-1898) Only the government and souvenir cards
existed. 1 cent stamp imprinted on government printed cards
and 2 cent stamp with adhesive need to be applied to the privately
printed souvenir cards. Law was, no writing permitted on the
address side of the card. From 1899 on, the standard postcard was
4.75" x 3.5".
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Private
Mailing Card (circa 1898-1901) May 19, 1898, private
printers were to print and sell cards with the words
"Private Mailing Card". Today we call these cards
"PMC's". Postage required was now a 1 cent adhesive
stamp. A dozen or more American printers began to take
postcards seriously. Writing was still not permitted on the
address side, however many publishers often left a wider border on
the side or bottom of the view side so a short message could be
added
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Divided
back period (cir1907-1915) March 1, 1907, the divided back
postcard circulated. Addresses written on the right and the
message on the left. From a collectors point these were most desirable
because people stopped writing on the fronts.
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 The
Art Deco (circa 1900 - 1930)
Art Decos
are known for their vibrant colors, ancient Greeks and Middle
Eastern subjects and variations on Egyptian artifacts
influences. They often depict pretty ladies in fancy clothes. In
1926 the sizes permitted were a minimum of 4" x 2.75" and
maximum of 5.875"
x 4.125".
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Arrows
show the line on the Divided Back
area
and the Stamp Box to adhere stamp to on right hand corner behind the back
scrapbook paper.
Image 01 backside
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Image 01 Front
This postcard is from PMP's personal
collection with a known date of 1915.
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Image 01 Restored
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White Border Era (1915-1930)
Most of our post cards were printed in the USA during this period.
To save ink, a border was left around the view thus we classify
them as "White Border Cards".
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Linen Era (1930-1944)
New printing processes allowed printing on post cards with a high rag
content that caused a "linen like" finish. These cheap
cards allowed the use of gaudy dyes for coloring. Curt Teich
flourished with their line of linen postcards.
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Photochrome Era (1945 to present)
The "chrome" post cards started to dominate the scene soon
after they were launched by the Union Oil Company in their western
service stations in 1939. Mike Roberts pioneered with his "WESCO"
cards soon after World War II. Three dimensional post cards also
appeared in this era.
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Playle's Online Auctions web
site illustrates hundreds of stamp boxes, including 12 different
styles of the Kodak 'AZO' boxes.
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We
listed general information here for general photo dating purposes.
If you want more information try going to Postcard sites that we visited
that include information about postcards from other countries or specific
details of postcard manufactures, stamp boxes, or postal rates in the
UK.
AZO
Boxes Time Line Table
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1904-1918
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4
triangles, pointing up.
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1918-1930
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2up
2down' triangles.
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1927-1940
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Squares
in the corners.
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Resource
Links for Postcard Dating
http://www.yorktownmuseum.org/TaconicPostcard.htm
Postcard
Traders Association
Shiloh
Postcards
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