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Vintage Scrapbook
03
Photos
01-10
Photos
11-20
Photos
21-30
Photos
31-39
I think it is safe to say that this book came from
Montana. No names appear anywhere. There are many Navy Cadets in it from New
York. They probably came from Montana and went to the Academy in N.Y. The
scrapbook was found in Pasadena
California.
Names
found:
Ella
Dullen
Ed
Dullen
Chas
H.W. Curry , San Francisco Calf.
Biddie
Dullen
Photographers found in this book:
F.
Jay Haynes, Haynes Palace Studio Car
R.H.
Beckwith
J.P.
Ball & Son
Helena Montana
New
York
Anaconda Montana
G.W.
Pach Brothers
Bradley
& Rulofson
San Francisco Calf.
Fashions
found:
Victorian
Wedding dress
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Velvet cover with the words
Memory Photographs Love
They measure 8x10 and 3inches thick.
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Image
01: no name
Type/Size: Cabinet Portraits
Photographer:
Haynes,
Photo Dating Note:
Pink tint, vignette, rounded corners on card
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Image 01 Back side
This is interesting, the image is a train with the name
Hayes' Palace Studio Car on it. This is what is says... Visits all cities on the
Northern Pacific Railroad. Branch Studio Yellowstone Park. Studio
and Publishing House, Fargo. Duplicates and Crayon Portraits furnished from this
Cabinet at any time. F. Jay Haynes, Fargo Dakota
We found a document on Yellow Stone History. In
it we found a list of concession buildings removed on Yellow Stone Park in
the 1800s we found date lines for Mr.F.Jay Haynes activities at Yellow
Stone. Concerning this photo we found that he operated under this
name "Haynes Palace Studio Car" in 1885 and discontinued in
1905.
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Image
02: no name
Type/Size:
Cabinet Card
Photographer: R.H.Beckwith, Helena,
M.T.
Photo Dating
Note: vignette, gray card with red line on edge, rounded corners of
photograph and card.
Circa:
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Image 03
Type/Size:
Cabinet Card
Photographer:
J.P. (James
Presley) BALL
Photo Dating Note: Scalloped edges,
more casual props, holding the rail for stability or pose? bustle,
Circa:
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Image 03 backside
Photographer:
J.P. Ball
& Son, Helena, Montana
J.P. (JAMES
PRESLEY) BALL
Ball (1825-1905) was born free in Virginia and opened a
one-room photographer’s studio in Cincinnati, Ohio, in 1845. Two years later
he became a traveling daguerreotypist, and in 1849 he hired his brother Thomas
to operate the Cincinnati business. Ball published a pamphlet in 1855 addressing
the horrors of slavery, and he opened an exhibition of enslaved people's
experience. In May 1860 the Ball and Thomas Photographic Art Gallery is
destroyed by tornado, but rebuilt. After the Civil War, Ball moved to
Minneapolis, where he opened his own studio. In 1887 he became the official
photographer of the 25th anniversary of the Emancipation Proclamation held in
Minneapolis. He kept moving further west, first to Helena, Montana, then at the
turn of the century to Seattle, where he opened a studio under the name of Globe
Photo Studio. This
text came from this site on History of Black Photographers.
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Image 04,
Type/Size:
Photographer: G.W. Pach. 858, Broadway N.Y.
Circa: 1871-1877
If you have an interest in Naval Cadets, I heard that the
Academy has on file all the photos of all the cadets that every graduated.
You could match his face to a photo with a name on it. There may be a clue
in this photo, an expert on uniforms may know his rank or year that uniform was
in use. Below is the information found on the New York Historical Society
site. We want to demonstrate that you can research photographer's business
records and figure when they occupied particular addresses in their career. The
New York Historical Society apparently found their information from the
photographers obituaries. There list of sitters and more, please see their site
for more information on the brothers.
Pach
Brothers New York City Studio Addresses (as listed in New York city
directories, business directories and telephone books)
1866-1867 260 Bowery (Gustavus
and Morris Pach as "Pach Brothers")
[1868-1871 absent from city
directories]
1871-1877 858
Broadway (Gustavus W. alone)
1877-1881 841
Broadway (Gustavus W. alone)
1881-1885 841
Broadway (Gustavus, Gotthelf & Oscar as "G.W. Pach &
Brothers")
1885-1890 841
Broadway (Gustavus, Gotthelf & Oscar as "Pach Brothers")
1890-1902 935
Broadway ("Pach Brothers" listed hereafter)
1902-1903 935
Broadway and 571 Fifth Avenue
1903-1913 935
Broadway
1913-1914
925 Broadway and 570 Fifth Avenue
1914-1933 570
Fifth Avenue
1933-1939 642
Fifth Avenue
1939-1956 5
East 57th Street
1956-1967 673
Fifth Avenue
1967-1994 16 East 53rd Street
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Image 05: no
name
Type/Size:
Photographer:
Boyle, Monticello, Iowa
Photo Dating
Note: ornate photographer stamp
Circa:
image
05 backside
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Image 06: Naval Cadet,
Type/Size:
Photographer:
G.W. Pach, 858 Broadway N.Y.
Photo Dating Note:
Circa:1871-1877
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Image 07: no
name
Photographer: Keller,
Helena Montana
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Image 08: no
name
Type/Size:
Photographer:
H.B.
Beckwith, Helena Montana
Photo Dating Note:
Circa:
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Image 09, Naval Cadet
(P) G.W. Pach
858 Broadway N.Y.
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Image10, Naval Cadet,
(P) G.W. Pach.
858 Broadway N.Y.
Photo Dating Note:
Circa:1871-1877
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Continue or Return
to top.
Photos
11-20 from here down
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Image11:
Mrs.Bell Jewell
Type/Size:
Photographer:
J.P. Ball & Son Helena, Montana
Photo Dating
note: scalloped gold edge, wedding dress,
J.P. (JAMES
PRESLEY) BALL
Ball (1825-1905) was born free in Virginia and opened a
one-room photographer’s studio in Cincinnati, Ohio, in 1845. Two years later
he became a traveling daguerreotypist, and in 1849 he hired his brother Thomas
to operate the Cincinnati business. Ball published a pamphlet in 1855 addressing
the horrors of slavery, and he opened an exhibition of enslaved people's
experience. In May 1860 the Ball and Thomas Photographic Art Gallery is
destroyed by tornado, but rebuilt. After the Civil War, Ball moved to
Minneapolis, where he opened his own studio. In 1887 he became the official
photographer of the 25th anniversary of the Emancipation Proclamation held in
Minneapolis. He kept moving further west, first to Helena, Montana, then at the
turn of the century to Seattle, where he opened a studio under the name of Globe
Photo Studio. This
text came from this site on History of Black Photographers.
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Image12: Cadet
Photographer:
G.W.Pach
858 Broadway N.Y.
Photo Dating Note:
Circa:1871-1877
Read
about G.W. Pach
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Image 13: Mrs. Adam
Type/Size:
Cabinet Card
Photographer:
Boyle
Monticello, Iowa
Photo Dating
Note: note velvet dress
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Image 14: Fred
Photographer:
G.W. Pach.
858 Broadway N.Y.,
Photo Dating Note:
Circa:1871-1877
Read
about G.W. Pach
This photo had a name is could possibly be found in the New York Historical
Society site. They have a list from the Pach brothers listing clients.
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 Image 15:
Cousin Herbert
Type/Size:
Photographer:
G.W. Pach,
858 Broadway N.Y.
Read
about G.W. Pach
He was at this
address through 1871-1877
Photo Dating Note:
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image
16: Chas H.W. Curry
signature and date on back
1881
Photographer: Bradley
& Rulofson
San Francisco Calf.
Photo Dating
Notes:
Circa:
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Image 17:
Lizzie and her brother
Type/Size:
Photographer: Wayne's,
Palace Box Car.
(traveling
Photographer)
Photo Dating
Notes:
Circa:
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Image 18
Photographer: J.P. Ball
& Son Helena, Montana. Also Image 36.
Photo Dating
Note: special effects of this era.
Circa:
J.P.
(JAMES PRESLEY) BALL
Ball (1825-1905) was born free in Virginia and
opened a one-room photographer’s studio in Cincinnati, Ohio, in 1845.
Two years later he became a traveling daguerreotypist, and in 1849 he
hired his brother Thomas to operate the Cincinnati business. Ball
published a pamphlet in 1855 addressing the horrors of slavery, and he
opened an exhibition of enslaved people's experience. In May 1860 the Ball
and Thomas Photographic Art Gallery is destroyed by tornado, but rebuilt.
After the Civil War, Ball moved to Minneapolis, where he opened his own
studio. In 1887 he became the official photographer of the 25th
anniversary of the Emancipation Proclamation held in Minneapolis. He kept
moving further west, first to Helena, Montana, then at the turn of the
century to Seattle, where he opened a studio under the name of Globe Photo
Studio. This
text came from this site on History of Black Photographers.
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Image
19:
Biddie
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Image 20:
Biddie Dullen
Type/Size:
carte de visite
Photographer:
Boyle Montciello, Iowa
Photo Dating
Note:
Circa:
Return
to top
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image 20
backside ,
Jewell's sister written left edge
Continue or Return
to top.
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Photos
21-30 from here down
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 image 21
Type/Size:
Photographer:
Photo
Dating Note:
Circa:
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 Image
22:
Type/Size:
Photographer:
Photo
Dating Note:
Circa:
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 Image 23:
Type/Size: Tintype
Photographer:
none
Photo
Dating Note:
Circa:
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 image 24
Type/Size:
Photographer:
From Grant & Tuppets, Photo Studio, 120 W. Main St. Missoula, Mont.
Across from Missoula Hotel.
Photo
Dating Note:
Circa:
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Image24 backside.
From Grant & Tuppets, Photo Studio, 120 W. Main St. Missoula, Mont.
Across from Missoula Hotel.
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image 25
Type/Size: Cabinet Card
Photographer:
Photo Dating Note:
Circa: 1880
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Image 26:
Type/Size:
Photographer:
none
Photo
Dating Note: fur covers, stand for steadying, tan card crudely cut,
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 Image
27:
Type/Size:
Carte de Visite
Photographer:
none
Photo Dating Note:
green card with
squared corners, square corners on photo, full photograph. Corset present
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Image 28:
Ella and Ed Dullen
Type/Size:
Photo
Dating Note: black card and gold writing for the mourning period,
bustle,
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Image 29
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| Your ancestor maybe the photographer, now you would know what he looked like.
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 Image 29
backside
Type/Size:
Photographer: John D.
Godeus, People's Art Gallery, 34 third St., San Francisco
California
Photo
Dating Note: notice
fur cover
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Of particular note is Mary Anna Clifton Godeus, a San
Francisco photographer, whose career began in 1866 and spanned 35 years. At 16
years old she was married. At age 17 she was operating the South Park
Photographic Gallery on Third Street with her husband John D. Godeus. They
operated several galleries together until 1879. Godeus family lore suggests John
then photographed prisoners for mug-shot books at San Quentin Prison. By 1890
the Godeuses were again operating a studio together until John's death in 1895.
(Godeus Street was named in his honor.) Godeus took over with her daughter Mary
Clara, also a photographer, continuing to operate the Godeus Art Studio on Sixth
Street until at least 1901. There are over 60 surviving images from the Godeus
studios. This came from "Women's
Photography After the Gold Rush".
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 Image
30: no name
Type/Size:
Tintype
Photographer:
none
Photo
Dating Note:
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Photos
31-39 from here down
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Locations:
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image 31
Tintype
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image 32
Tintype
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Image 33:
no name
Type/Size:
Photographer:
G.W. Pach.,858 Broadway N.Y., Read
about G.W. Pach, He was at this address through 1871-1877
Photo
Dating Note: Cadet
when
we learn to identify uniforms we will add to our military photos.
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Image 34:
Type/Size:
Carte de Visite
Photographer: Beckwith
Helena, M.T.
Photo Dating
Note: wide tie, handle bar mustache,
long side burns
Circa:
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Image 35:
Type/Size:
Cabinet Card
Photographer:
Palace
Studio, Anaconda Montana
Photo Dating Note: round edges, fur rugs, curtain
backdrops, embossed photographers stamp, bustle,
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Image 36:
Type/Size:
Cabinet Card
Photographer:
J.P. Ball & Son, Helena Montana
Photo Dating Note:
Scalloped edges, draped overskirt, bustle, casual props,
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Image 36: back side
Artistic Photographers, Helena Montana
J.P. Ball & Son, Helena Montana
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Image 37: Cadet
Type/Size:
Photographer:
G.W. Pach
858 Broadway N.Y.
Read
about G.W. Pach Photographer, he was at this address through 1871-1877
Photo Dating
Notes:
Circa:
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Image 38:
Type/Size:
Photographer:
Randall
Photo Dating Note:
Circa:
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Image 39:
Type/Size:
Photographer:
Boyle, Monticello, Iowa
Photo Dating Note: Victorian bar pin at collar.
See other methods of photo dating.
Circa:
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Genealogist Corner by Photos Made Perfect (main pg)
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Heirloom Lockets
Bulk
Rates
Note: For optimal viewing of these photos, your display setting should
be set at "True Color (24 bit)" and your screen resolution should
be set to "800 by 600 pixels.